reverb

The goggle wave everyone type at once stuff is like reverb in the 80's if you ask me.

The piano track at the end was clear as day, the uncompressed version was warmer, fuller, had clearer reverb.

So it's okay for me to download the new Taylor Swift single, add some extra reverb, and start selling copies of it?

Then you layer effects on top of that, such as reverb, filters, and compression.

The alternatives to Tunecore (CDBaby, Reverb Nation, Distrokid) all have their own problems.

The reverb still gets affected by the environment your speakers are in.

A single reverb or compression plugin will take up tens of megabytes.

While I get that Haskell allows/demands you to write what you mean, consider an app that adjust reverb and volume up, from 1..10 (here items is the range 1..10).

Generally the thing which causes audible errors are effects like reverb, delay, phasors, compressors, etc.

The reverb of the hall also mushes everything together.

I think the reverb idea is the best one so far.

Sound mixers are like sound engineers in the rest of the business, crafting relative levels, dynamics, tonal transformations like EQ, and spatial transformations like reverb.

"Put a little reverb on it" is a good way to comfort a singer or a musician and perhaps coax a better performance out of them.

If, for example, the reverb is jacked up to make the room sound like a cathedral then your brain immediately knows it is "fake" -- but under normal settings unless the system was explained, someone in the room would not notice what is going on.

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He plays whatever the venue provides (usually, but not always, a Fender Twin Reverb).

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