pierrot

His early pre-expressionist paintings are godlike in execution, even if someone else has painted a Pierrot before him.

If you are suffering watching Breathless and Pierrot le fou, I feel a bit sad for you.

I would suggest looking into Pierrot le Fou, and Bande à Part (Band of Outsiders in NA).

Consider these lines from Jean-Luc Godard’s Pierrot le Fou (shot in summer 1965).

I had the same feeling when watching Pierrot le Fou (the only Jean-Luc Godard film I watched, possibly new wave...).

LaBruce subsequently filmed this adaptation as the 2014 theatrical film Pierrot lunaire.

We once played Shoenberg's Pierrot Lunaire on a tape loop over and over for an entire week -- and emerged with our sanity mostly intact.

I wouldn't know about the Pierrot style of clown if it wasn't for Puddles...

From the LoC page for the video: >> Gugusse the clown appears to control the actions of Pierrot Automate, a child-sized automaton standing on a pedestal.

I really like Breathless, Le Mépris, and Pierrot Le Fou, this last one less often mentioned, yet super interesting.

Godard's Pierrot Le Fou kind of changed my life.

I still can't express how exactly though, but watching Pierrot le Fou literally left a serious deep impact to me when I was adolescent.

Truth says Pierrot can "find [the thief] with this mirror": since Pierrot is the thief, he will see the thief in the mirror.

The people around are telling the storyteller that "he" (Pierrot) has stolen the purse, but the storyteller misinterprets this as pointing to some arbitrary agent.

The song sung here ("Au clair du lune") starts with an aptly prophetic verse: >>By the light of the moon, >>My friend Pierrot, >>Lend me your quill >>To write a word.

Pierrot: Not "what for", but "why", dumbass.

This interpretation of the work included gender diversity, castration scenes and dildos, as well as a female to male transgender Pierrot.

Pierrot le Fou was the one that clicked with me.

Pierrot Lunaire is pre-dodecaphonic Schönberg, though.