verdi

Note that Verdi did not attempt to verify the reconfiguration protocol; apparently it was too difficult.

By rights, it ought to be staged every 5-6 years; having it on stage almost every year means proportionally fewer productions of other great Verdi operas such as La Traviata.

I do enjoy a good Strauss or Verdi opera, though, and that's even crazier in terms of complexity.

Take a stab at someone like Rossini or Verdi (I find Puccini awfully hard to grok).

Also the Union VerDi is just a big Joke.

I don't mean to trap you, my anonymous friend:) but does the formal proof for Raft in Coq via Verdi not apply—at least in spirit—to the essential view change and SMR protocol for Viewstamped Replication?

> They're offering them a decent job Actually Verdi (the union) is also complaining about some of the working conditions as well, which they consider inhumane.

Consider the fact that, say, at the time when Verdi was rabidly popular, late 19th century, there was no iTunes, no TV, no CDs, cassettes, or vinyl records, and no music radio.

> Consider the fact that, say, at the time when Verdi was rabidly popular, late 19th century, there was no iTunes, no TV, no CDs, cassettes, or vinyl records, and no music radio.

And I didn't know Verdi Park was called "Verdi Park" back then either.

Speaking of Verdi, he postponed rehearsals of the famous "Donna e mobile" aria until the day before premiere, to keep it a secret, because he predicted (correctly) that it was going to be an instant hit.

Standard genres are terrible: you have like 20 different sub-genres of electronic music, but Machaut, Bach, Verdi and Boulez should all go under "Classical", are you friggin' kidding me?

Having spent years singing in choirs, when I see the name I get the words "Liberapay, Domine, de morte aeterna in die illa tremenda..." running in my head, to the tune of the spiky fugal setting in Verdi's requiem.

Verdi already supports that, but unfortunately it doesn't support disk state.

Gilbert and Sullivan only overlapped with the end of Verdi’s career — they were very much a retrograde move in the artistic evolution of the medium.

Verdi (the union) is quite a strange animal.