cinematography

Tony Zhou's Vimeo series Every Frame A Painting is great too, although it focuses more on directing and cinematography.

The problem is that you need to go through each scene and assess if the cinematography and editing still makes sense from the story's point of view.

Much of the praise for Kane is because it used groundbreaking cinematography, which have influenced many later films.

If you want high-quality aerial cinematography, you need a lot more than just an autonomous drone in your general vicinity.

What's even more impressive is he took to cinematography a few years back and seems to be just as skilled.

Simple programmatic cinematography is just about possible, and AI editing is getting better.

The really atrocious deeds were done in performance arts like cinematography and music.

Going from the cinematography and art direction this movie seems to have more in common with the original trilogy than the second trilogy.

Honestly, it's hard for me to get past the cinematography with Gilliam's films.

His cinematography is as far from the mainstream as it can get.

I must admit I found the cinematography great, but the interviews themselves not so engaging.

Drive has some great usage of this type of cinematography if I recall correctly.

One avenue for possible disruption that the article does not mention is through digital cinematography first, where a sensor would have to be "only" 8 Mpixels (4K), and the users have more budget and care about dynamic range.

His stylistic choices from dress to script to cinematography play the part in a psudo-paradigm shift, one in which a more "democratic" and "socially connected" symbol puts themselves in danger for us.

After sort of passively watching it while doing other things, one of the episodes in the marathon was a "behind the scenes" sort of thing, where they showed that drone cinematography is used, basically, in like 80% of the filming done for that show.

The article smells of hype and seems to justify this long-delayed epic "to out-Lucas Lucas." I'm no film buff, but the cinematography of certain parts of the trailer reminds me of the same second-rate "Lets get a really wide shot of this big computer-generated battle scene" effects-for-the-sake-of-effects schlock that's been shoved down our throats for the past 10 years.