percussionist

The percussionist Trilok Gurtu has said the same thing about listening to many recordings as he was growing up.

But enough where it does matter that a percussionist will probably have to consider pitch often enough.

Microtonal theory is fascinating, and as a percussionist, turkish and arabic drumming are second only to Indian.

This is Ebert's review of Touch the Sound, which is a documentary about a deaf percussionist.

I prefer the contrast between the solo flute and the percussionist w/ the gigantic mallet to be as pronounced as possible.

A multi-tasking percussionist, however, has a whiff of rock and roll.

The thrill of a percussionist striving against physical limits is real, but the absolute sound pressure level produced depends on the limits of the total instrument.

The analogy I would use is it's has been a bit like showing a pianist a sequencer/synthesizer or a percussionist a turntable.

Not formally, but as one develops as an Indian classical percussionist, you develop an ear for what sorts of rhythmic passages pair with certain types of melodic structures.

To me, it was more like I was hearing the percussionist in an orchestra build to a loud crescendo with felt mallets on a gong.

Reminds me of being a classical percussionist.

I'm a percussionist with a miniscule amount of guitar knowledge.

I can entirely believe in an automatic drummer that is "as good" as Steve Gadd, having been trained on the performances of said master percussionist.

I recently had a percussionist in a band I was in assert that "women don't have the brains to be mechanical engineers", and he honestly seemed to be serious.