harmonies

Overtone singing itself isn't very common in barbershop music, but their harmonies certainly make use of overtones.

PD music is usually too detached from normal conventions such as 12 TET, harmonies and progressions to be listenable.

It didn't hook me instantly like some of the other Elephant Six bands have, but the harmonies were pretty impressive.

Boy bands sing harmonies that you could find in 19th century music that kids would hate.

Adding a few extras that don't fit into the live show might be really effective--especially dubbing in some vocal harmonies.

Until the age of recorded commercial music it was considered completely normal to lift tunes, harmonies, anything recognisable, from other composers.

The Ableton Live music package has a great one built in, which appears to do some kind of probabilistic modelling for harmonies.

When I was a kid I was effectively tone deaf– didn't recognize pitches, harmonies, bass, etc.

Take the 40th, the harmonies, the transitions, the sheer beauty of it.

We teach notation, rhythm, keys, harmonies… we then exploit that to compose, perform or understand music.

I have very good relative pitch because I can see the harmonies.

With time I started to enjoy following subtle and non trivial melody lines in harmonies (gospel tunes are full of it, fusion also, jazz obviously).

After 15 years of trying to play music I "tangibly" perceive harmonies I didn't even knew were there before.

I'm just talking about an individual keyboard, though if all instruments are digital, which is pretty common these days, you could have a whole orchestra dynamically adjusting pitch to make "perfect" harmonies.

The 7 natural notes are based on a 7-tone equal temperament (equal tonal spacing), which gives you enough equal spacing between notes to make nice harmonies (nice complimentary resonance) so this sort of a 7-tone minimal palette, and 5 "accidentals" fill the spaces in between those 7 tones to make a fuller 12-tone equal temperament palette.