symphonic

It looks really concise and easy to use. Does it scale well to big symphonic scores?

Mozart's symphonic works alone are more complex than what Gaga does.

I find good symphonic music much more interesting than boring Pop music.

"I do some of my better work with symphonic metal[1] blasting in my ears, but I wouldn't impose that on anyone else.

I can handle most written jazz material, but would have a hard time sight-reading a modern symphonic work.

I suspect the alteration between symphonic pieces and ones with an articulated rhythm is a bit part of what makes it so good.

The older I get the more I feel that post-Beethoven symphonic music is a little over the top and often hard to enjoy.

If Now could aggregate band/comedian tours stopping in town, album releases, local symphonic events, I'd use it every day. I wish it could alert me when a new Netflix series I'm into is premiering.

In 10th, I moved up to the "symphonic orchestra", a full affair with about 100 members, strings, winds, brass, percussion, the works - it was usually reserved for 11th and 12th graders.

Unlike most any symphonic instrument, the piano actually has relatively few parameters per key. There's note velocity... and that's about it.

We stuck earbuds in our ears and cranked the volume on our iPods to deafness inducing levels, drowning out "Chiquitita, you and I know\nHow the heartaches come and they go and the scars they're leaving" with the symphonic grandeur of Iron Maiden.

Me: "What is the airspeed velocity of an unladen swallow"Google: "Did you mean airspeed velocity of an unladen European swallow"Me: "Yes"Google "According to Wikipedia, Yes are an English rock band who achieved success with their progressive, art and symphonic style of music."D'oh.

Composers have been able to wring so much creativity and artistry out of an extremely standard set of symphonic instruments for centuries - when I compare the playfulness of the Turkish March in Beethoven's 9th, or the drawn-out and crashing inevitableness of the big moment in the 1st movement of Sibelius' 5th symphony, or the freakishly satisfying conclusion of Respighi's Pines of Rome, it kind of encompasses what music actually means to me, and it seems we are a very long way away from algorithmic composition being able to reach that kind of artistry.