rehear

I wish they could also go back in time and rehear what I said however many times they need. Heck, that goes for me, too.

What does a 'petition' to rehear a case actually mean? Is that a thing that might feasibly happen?

The petition to rehear the case is a request to have the full circuit hear the case. Initially, it's only a group of 3 judges from the circuit who decide a case.

Note that it doesn't only play high score stuff, but rather biases towards it, so you do get to rehear lower scoring content, just not that often.

They do not rehear the case in its entirety. Appeals courts can word their decisions broadly or narrowly, in an attempt to control how much their decision can be applied to future cares.

Often when using ggl translate, I want to rehear just a syllable or word I'm unsure of, or am having trouble with. Google makes you rehear the whole thing, which is simple, but discourages double-checks, and impairs iteration.

Is the governor to personally rehear every case? And then there are all of the other things a governor is elected to do on behalf of the other 25 million Texans. It's just not possible to devote oneself 100% to everything. Heck, a system in which the executive rehears every judicial case personally would almost certainly involve quite a bit of injustice as well.

Even moderately sized chamber orchestras can manage "ok" with maybe a lead instrumentalist kicking off a tune with an exaggerated nod -- you just rehearse a lot and listen to each other. But once you break maybe 30 or 40 people trying to synchronize complex sound production, manually, with 1/100th of a second precision, it starts getting hard. Conductors are really critical also in setting the "tone" or interpretation of a piece and the program that the orchestra plays. It's why some orchestras play a piece soft and loud in some bits, or another might play quiet and fast. Or one might use a version of the piece where the oboes pick up a flute harmony in the third movement, etc. In many orchestras they also set the position of players, usually through section auditions. It's how one violinist ends up near the conductor and another one ends up in the back row of the 2nd violins trying to hear themselves play over th e bassoons. Rehearsal is harder at scale. It's hard getting 100 people together over and over, so there's section rehearsals where maybe just the violins break off and work, or just the brass instruments. At that level maybe just the section leader runs the rehearsal with the conductor dropping in to set vision. Then you build a bigger part of the orchestra and rehears that, maybe with an assistant conductor or the conductor proper.