mics

There's so much mad stuff you can do when you start playing with out of phase mics, delay, etc.

In which case you would likely want to physically disable inputs and sensors like cameras, mics, location hardware, etc.

The article really didn't go into how hard it is to stop feedback when your speakers are behind the mics.

Model a human head w/ears, but mics in each -- and hook that up to a system that plays/records/compares audio.

You have an array of microphones in your phone alone, not to mention the speakers, which are just low-fi mics.

They can get very creative) they disable mics, cameras and don't plugin dvds and usb drives.

It's a fairly common feature, for example there are several bluetooth headsets on the market with dual mics for noise reduction.

I've played with multiple out of phase mics myself (to try and reduce drum bleed from the main vocalist mics) but never found it as effective as I'd hoped.

Desktops can also have camera(s) and / or mics disable more readily than phones.

Everyone with mics on black is in private parties, IRC rooms seem increasingly unfriendly.

That's why they had all that insane multiple mics out of phase stuff.

Sound editors are responsible what to include in the track and when, sometimes much more or less than what the mics on set picked up.

If open mics are "stealing" from the artist then street performers are at a whole new level.

Everybody who heard "Blues Run the Game" back then was blown away by it, and it was played a lot at open mics and similar occasions.

Well I hope my apartment that I'm renting doesn't also come with mics and cameras, even if there are "no plans to use them." Inspecting the product after I return it is almost certainly cheaper and easier than building out a massive, distributed monitoring infrastructure.

It seems that "high quality audio solution", in their case polycom, in our case mumble + good mics and "no videoconferencing" are among the most common thing I see in successful remote work setups.