timbre

Pitch correction is unable to change the timbre of a voice.

Each key has its own recording, with its own timbre, at different volume levels.

Innovation in musical timbres and sounds is an expected part of pop music.

I was hoping for a notation that describes midi values against timbreDream on.

I don't see the big deal with coming up with an incredibly simple ascending arpeggio with a percussive kind of timbre.

If this gives you the ability to generate more harmonic components through multiple chords and changes the timbre, then it's a valuable device.

It's interesting because the constraint on the project wasn't "I want an incredibly simple ascending arpeggio with a percussive kind of timbre.

The overtones present in a cymbal or triangle are not straight multiples of the fundamental, they are chaotic, and are very important in determining the timbre.

Or perhaps some other research suggests that in those times singing really was identical to speaking with the exception of pitch/timbre etc. and rhythm didn't alter at all?edit: Does seem like it was just an over-simplification, some great additional thoughts in replies to me

I'm over vinyl too, but it makes a big difference that I started with vinyl as my reference point - so I knew how nice music could and should sound, and the necessary physical interaction with both vinyl and record player helped me develop an awareness of tone and timbre early on.